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Pre​-​Pill Love

by Simon Comber

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1.
I tried to sleep in the basement tonight so I wouldn’t hear the rain on the roof every drop another nail in the coffin I’m gonna die thinking of you everytime I close my eyes I see a thousand times as much I’ve started to sleep witht the light on and the roof has started to rust I try to remember the bad times and I try not to want you back but these trains of thought are golden and I’m frozen on the tracks trying to remember the bad times we sauntered out of the video arcade and straight into a neon rain and all those hours before I met you were slowly washing away now we’re shivering in the back of a taxi speeding out of the c.b.d the driver adjusting his rear-view mirror as you lean in closer to me I try to remember the bad times and I try not to want you back but these trains of thought are golden and I’m frozen on the tracks trying to remember the bad times do you remember the bad times? do you? does anyone remember the bad times? do you?
2.
Go Quietly 02:13
one short sweet kiss behind the chocolate factory you said “I won’t wait forever for you to come back to me” I smelt the chocolate drifting through the air as I untangled my fingers from your hair and gently pushed you away I tried to make it easy I tried to go I tried to make it easy I tried to go quietly to go I frowned upon my reflection in the dirty train window I frowned upon my thoughts and wondered why I have to ride them everywhere they go I never feel like I have any right to kick up a fuss or put up a fight I just ride them away I tried to make it easy I tried to go I tried to make it easy I tried to go quietly to go
3.
Marylands 03:21
grandma said “he’s down in hell but mother’s safe in heaven” sent me to a catholic boarding school I was barely seven the chaplain read me holy stories from the holy book I made a vow to get to heaven any way I could he sung to me in soothing holy chords “a child that is lost is still a child of the Lord a child of the Lord” I would dream of mother nightly wake up crying in my bed the chaplain came to comfort me he was my only friend he said “my son, you must be brave your mother’s looking down on you” I saw the white light in his eyes I smelt the whiskey fumes he sung to me in soothing holy chords “a child that is lost is still a child of The Lord a child of The Lord”
4.
every sunday night I drive over to your mother’s apartment pick up a bottle of cheap red wine on the way we get the T.V room to ourselves ‘cos your mother’s got a new boyfriend we get ready for scenes that some viewers may find offensive we pour generous glasses of wine draw the curtains and turn out the light and then we turn up the volume to drown out your mother and her boyfriend when I see your face lit up by the screen and I listen to the actresses scream it all gets a little bit much for my heart to handle we kiss on the sofa, roll on the rug we’ve finished the wine by the time that the credits scroll up our week begins and ends on Sunday night we live for the Sunday Horrors we live for the Sunday Horrors we live
5.
Carrion 02:47
we don’t know what we’re gonna find we don’t know what we’re gonna find when we get there so we try to imagine what we’re gonna find we try to imagine what we’re gonna find when we get there and if you go first I hope I that it feels in every vein, I’m gonna keel over in the sand and wet the grain with all the fun we had I don’t know what I’m gonna find I don’t know what I’m gonna find when I get there and when I’m inside you I wonder aloud when I’m inside you I wonder if ‘ll ever get there and if you go first I hope I never heal in my head and my heart I’m gonna kneel down on the ground and drench the dust with all the love we found
6.
let the light in while your lips are still red buy flowers for the living, not just the dead soon there will be no tomorrow and a jealous mind is a joyless mind let the light in when you linger in the shadows the sun starts to yawn and those visions of Johanna, they won’t keep you warm through unforseeable seasons that only bring toil and loss when everyone elses dreams turn to truth and a joyless mind is a wasted mind let the light in
7.
there’s a distance in your eyes today you’re drifting again, you’re miles away I love you more than you will ever know I’ve loved you too long to let you go now I am making sure I’m ready this time I am making sure I’m ready I’m watching your reflection in the t.v screen as you watch a wild western that I swear I’ve seen before sons of guns I’m so sick of you riding in on bullets, shooting through me with the sunlight, nothing but the sunlight to hold on to, to hold steady an I am making sure that I am ready to catch you between my teeth
8.
meet me in wellington meet me halfway meet me in wellington on a windy winter’s day your voice was sparkling on the answerphone a flower from the astral zone it made me feel so alone it made me wanna fly home shifting shadows trading tones of darkness meet me in wellington meet me halfway meet me in wellington it’s not over yet so let’s forget the wanderlusting I confessed had kicked up dust inside my head and how it turned to loneliness and made me say goodbye home shifting shadows trading tones of darkness meet me in wellington meet me halyway meet me in wellington i’ve got one last hand to play
9.
Circles 02:40
I make a collect call, you’re not there I clench a fist and I punch the air next time next time I watch the 0900 ads I think about what we could’ve had next time next time the midnight hour slips away from me like a grip on reality and next time there won’t be a next time I get optimistic, make another call I clench a fist and I punch the wall shouldn’t leave the house in the state that I’m in but the cabin fever is kicking in so I walk the streets and I turn my eyes from all the stray dogs that I recognise my heart lands in my throat when I cough and my second skin is peeling off ‘cos next time there won’t be a next time I walk around in circles wondering if there’s a connection between looking for the answers and running from the questions and next time there won’t be a next time
10.
let’s take a walk on the beach leave some tracks in the sand still got these rings on our fingers still got time on our hands and isn’t this time still delicious? and doesn’t this water feel like forgiveness when it laps at your feet my darling, if you leave where will you go? y’know we could still have lots to learn we never even scratched our surface we used to tell each other nightly that what produced us would preserve us well it’s ok ‘cos don’t you need to see that moon to believe it? and aren’t those stars too much? don’t look now, here comes the water oh my darling, if you leave where will you go my darling where will you go?
11.
Star Craving 02:07
we’re all just stars and the night sky is a pickup bar and the sky is beautiful and limitless and unwatchable sometimes, sometimes I need another drink about time and space I don’t wanna think ‘cos I’m not travelling anywhere i’m just remembering we’re I’ve been and imagining exploding sometimes, sometimes when I was passed out at the bar I dreamt I met a guiding star she said: “On the count of three I want you to open your eyes and follow me all the way down back into the earth’s atmosphere 3.2.1…”

about

....You would totally hate this place. The students think they own it, and even Auckland's sad excuse for a winter had you in hibernation. And the sky! My new friends are always trying to tell me that it's just my imagination. That it only feels like it's falling 'cos all the hills make the city seem more closed in than it really is. But how low can you go??....

“... Judee Sill’s weapons – a unique voice, intelligent writing, and some wonderful lyrics – are his... musically, he’s like a young Don McGlashan – McGlashan’s magnificent “While You Sleep” is the top shelf Comber is reaching for in many of his songs.” – Roi Colbert, Sunday Star Times

"Clocking in at just under half an hour, Pre-Pill Love is a precise and articulate album that refreshingly says its piece and gets the hell out." Kiran Dass, Real Groove

credits

released March 24, 2006

-Tracks 1-7 and 11-12 produced by Edmund McWilliams and Simon Comber at Roundhead Studios in Auckland, New Zealand
-With: Neil Watson, Chris Harford and Li-Ming Hu
-Engineered by Edmund McWilliams

-Tracks 8 and 9 produced by Graeme Downes and Simon Comber at Albany Street studios, Dunedin
-With: Rob Burns, Darren Stedman, Trevor Coleman
-Engineered by Thomas Bell

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Simon Comber Auckland, New Zealand

Simon Comber is an Auckland-based singer/songwriter. Having released the 2 L.P's and an E.P available here, he now records and performs under the moniker Herriot Row.

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